How audio compression really works...
...the science behind mp3, AAC, Lossless, and other schemes
...getting the best possible sound from a compressed file
...what helps mp3 and what breaks it
...a few QuickTime-specific tips
Producing Great Sound for Film and Video(Current top-seller in category at Amazon.com, now in its third edition.) Hundreds of professional, real-world tricks and techniques that'll help you from pre-production through the final mix. Lots of tips, platform-independent instructions, and time-savers. Expanded coverage of audio at the shoot, including boom, lav, and wireless techniques... getting the best sound from popular cameras and double-system recorder... narrative film techniques.
Audio Postproduction for Film and Video, Second Edition 460 pages with extensive chapters on voice editing, using music, equalization, noise reduction, mixdown techniques and other studio tricks; lots of cookbook recipes. Includes 1-hour audio CD of tutorials, demonstrations, and diagnostics. Also now available in German and Russian translations.
Range Finder What's actually going on at different frequencies? A graphic/audio demonstration.
Sound Tricks Oct. '03 presentation before the Audio Engineering Society, Boston Section, about manipulating reality in film and TV tracks.
Balancing Act How to use balanced wiring... and why.
Attenuators! Most MiniDV cameras will sound better with an external preamp or mixer, but these devices put out too large a signal for the cameras. Here's a brief
excerpt from my book Producing Great Sound for Digital Video, Second Edition, which explains how to adapt the signal properly.